Table Of Content
- Review: In ‘Unsung Hero,’ a family’s musical success story comes to life via the clan itself
- ‘Deadpool & Wolverine’ Director Shawn Levy Says Film Requires No “Prior Research” of Marvel Cinematic Universe
- The 10 Best Things to Buy From the Home Depot’s Spring Black Friday Event
- Stagecoach 2024: How to stream Morgan Wallen, Miranda Lambert and other sets at home
- Scary but well made psycho horror
- How Arachnophobia Became the Perfect Creepy Crawly Horror Comedy

It’s terrifying, shadowy, making scratchy skittery noises. Perhaps they’re the haunt-not-harm variety of spirits, but his encounters get increasingly harsh; Rial simply speaks with them, and their relationship becomes tense. No, it’s definitely a what’s-in-the-tree/only-what-you-take-with-you kind of situation. Summary After making a harrowing escape from war-torn South Sudan, a young refugee couple struggle to adjust to their new life in a small English town that has an unspeakable evil lurking beneath the surface.
Review: In ‘Unsung Hero,’ a family’s musical success story comes to life via the clan itself
Bol closes his eyes and, when he opens them, finds the wall in its original state. He stays up all night scraping the wallpaper off all the walls in the house. His House the movie doesn’t especially seem to have anything to do with Christianity and it’s not the religion or culture of Bol and Rial but the house that they move into does indeed have many rooms which now house the ghosts of the dead.
‘Deadpool & Wolverine’ Director Shawn Levy Says Film Requires No “Prior Research” of Marvel Cinematic Universe
However, this also meant she never really belonged anywhere. When the nurse asks about Nyogak, Rial simply says they lost her on the journey to Britain. That night, Bol again hears noises from behind the walls. He ventures downstairs and sees some wallpaper fall away to reveal a big hole. As he pulls on the strand of seaweed, a specter sneaks up behind him. A corpse then jumps out of the wall to grab the doll.

The 10 Best Things to Buy From the Home Depot’s Spring Black Friday Event
It’s a place where every gaggle of white teenagers looks like a menacing gang and sour-faced neighbors, clearly pro-Brexit voters, peer suspiciously out their windows at Bol and Rial, through dirty net curtains. There are the expected jump scares, but they’re just appetizers for what happens after they goose us. The metaphors for drowning are evident, but there are also visions of zombie-like creatures and the sea witch itself. Though this isn’t very gory, the intensity level is impressive in the haunting scenes, so much so that, at one point, I caught myself watching through my fingers. The sound design also deserves mention, because a haunted house is only as good as its noises, creaks, and moans.
To help you plan your moviegoing options, our editors have selected the most notable films releasing in April 2024, listed in alphabetical order. With the arrival of Zack Snyder's latest Rebel Moon chapter on Netflix, we rank every one of the director's films—from bad to, well, less bad—by Metascore. It's a film that shows the horror of being a refugee, with the guilt of the past and the fear of losing oneself when we are forced to assimilate into a new world and culture.
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An entire two-story rowhouse has been made available and assigned to them. They don’t even have to share it with any other refugees. The panel tells them that as their citizenship application is pending, the pair must not get any job and must reside in the assigned housing. They say that if Bol and Rial fit in with the local British and follow the rules, they will likely be granted citizenship.
Scary but well made psycho horror
That it is ‘his’, as opposed to ‘her house’ or ‘their house’ is also worth noting. Weekes says there’s an element of critiquing “how you have to be to be a man” in the film and it’s clear that Bol is trying to lead and be in control – while ultimately it is Rial who saves him. There are moments of masculinity where he behaves with aggression – taking a hammer to the walls, burning their stuff, locking Rial in the house and stopping her from leaving, which ends in her stabbing him with a screwdriver – which are at best futile and at worst incredibly damaging. Later we understand their guilt and shame runs much deeper. Under extreme threat in Sudan a truck taking passengers to the boat to escape is already full, without Bol and Rial having a seat. In a moment of panic, Bol grabs a young girl, Nyagak and claims a place in the truck for her as well as Bol and Rial on the pretence that she is their child.
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Posted: Sat, 09 Mar 2024 08:00:00 GMT [source]
Mosaku hits the word with a force as scary as the creatures that keep popping up. Later, Mark comes to inspect the house to find it repaired. Bol and Rial tell him they have chosen to stay and make it their new home.
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Rial believes the couple has brought an ‘apeth’ with them who wants them to repay a debt, it’s only as the film progresses that we understand the full weight of that debt. At the start of His House we see Bol carrying a young girl, Nyagak (Malaika Wakoli-Abigaba) in Sudan and later on a boat across the ocean. We understand the girl died during the crossing and think that Nyagak is the couple’s daughter who is now haunting them. His House is social commentary but also an out and out horror.
They experience racism and hatred from their tenement neighbours. They are met by their case worker Mark, who tells them he hopes they are two of "the good ones." Bol and Rial are being haunted by the ghosts of people who died on their journey from South Sudan to Britain.
Although, of course, racism and postcolonialism are there in the mix too. But these thematic undertones aside, the movie is also a very effective generator of jump scares and nightmarish imagery, much of it achieved with relatively lo-fi special effects, umbral lighting and intensely committed performances from the leads. Seamlessly meshing classic scary movie tropes with the more profound horror of real-world conflict zones, His House represents a harrowing but bracingly creative feature debut for British writer-director Remi Weekes. Weekes’ conceit works best when shining a light on how the most vulnerable members of a society are those who can’t risk asking for help. Bol is seduced by the promise of a new life, only to spiral into a Babadook-like battle against the trauma that followed him across the world.
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